Édouard Detaille, l'héroïsme d'un siècle. 13–14, discuss it in relationship to the replica (formerly Forbes Magazine Collection) and suggest that the replica may have been executed for an exhibition in Germany. War à la mode: Military Pictures by Meissonier, Detaille, de Neuville and Berne-Bellecour. brochure, The Metropolitan Museum of Art. 213–14, ill., call it "The Defence of Champigny" and state that Champigny-sur-Marne is near Joinville. French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. A Concise Catalogue of the European Paintings in The Metropolitan Museum of Art. Paris,, unpaginated, ill., as "La Défense de Champigny, par la division Faron". 76, 130, 231–32, calls it "La division Faron à Champigny," "Champigny, décembre 1870," and "Défense de Champigny". Nos grands peintres: Catalogue de leurs œuvres et opinions de la presse. 79–80, as "The Defence of Champigny" calls it "a vivid statement of the facts". The Treasures of The Metropolitan Museum of Art of New York. "The Art Treasures of America (Concluded.)." Living Age, 7th ser., 1 (December 3, 1898), p. "Louvre of Nations." New York Times (September 17, 1898), p. 34–39, 167, ill., calls it "La division Faron à Champigny" and dates it 1878–79 notes that it is the most popular of Détaille's paintings on the defense of Paris identifies Lieutenant-Colonel Pottier, Lieutenant Montès, and General Faron interviewing an old gardener in the three parts of this composition reproduces four studies of soldiers. "The Metropolitan Museum of Art-The French Painters." New York Times (May 22, 1895), p. "My Note Book." Art Amateur 17 (June 1887), p. "The New Pictures at The Metropolitan Museum." Harper's Weekly (May 14, 1887), p. "The Fine Arts: Further Gifts to the Metropolitan Museum." Critic (May 7, 1887), p. 31–32, praises the depiction of the figures but criticizes the overall execution of the setting as "dull and leaden". "Private Galleries: Collection of Ex-Judge Henry Hilton." Art Amateur 2 (January 1880), pp.
"Le Salon de 1879." Le Voltaire (June 10, 1879), calls it "Épisode de la Bataille de Champigny" criticizes the artificial poses of the figures, arranged "pour l'édification des amateurs". "Edouard Jean-Baptiste Detaille." Art Amateur 1 (October 1879), p. "Civils et militaires au Salon de 1879." La Vie moderne (June 19, 1879), pp. Le Livre d'or du Salon de peinture et de sculpture. 2, calls it "Défense de Champigny par la division Faron (décembre, 1870)" praises its documentary-like precision and detail, in particular the individuality of the figures. "Le Salon du 'Gaulois': Scènes militaires." Le Gaulois (June 20, 1879), p. "Exposition de 1879." Journal des débats politiques et littéraires (June 8, 1879), p. , states that he considers this painting to be his most important work and is pleased that it is now in Hilton's collection describes its subject as the battle of December 2, 1870, when General Faron defended an estate in Champigny, near the Marne, against the German troops notes that he was a soldier during the siege of Paris and a witness to this scene requests permission to lend this picture to an exhibition in Germany. 549, 567 (drawings after the painting), calls it one of the best pictures in the Salon. "Le Salon de 1879 (Premier article)." Gazette des beaux-arts, 2nd ser., 19 (June 1879), p.
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